instanly kill your dad
I ACCIDENTALLY ORDERED THE EXTERMINATION OF THE UCHIHA CLAN
Anonymous said: Ok but TRASH'S CLOTHING CHOICES WHAT IS WRONG WITH HIM THE DIAMONDS ON THE SLEEVES AND THEN THE COLLAR MATCHES THE CUFFS I LAUGHED SO HARD AT THEM AND HIS BEHAVIOUR OH MY GOD HE WAS SO CREEPY which seemed kind of different to his more sinister trashy book vibe? Idk. ^^" I can't wait for this filth to get destroyed.
You mean this part right?
"Surprise!! My ugly cuffs match my ugly collar!"
I’m still laughing at Gourmet because in the manga when he first appeared he was wearing a diamond sweater
not this fucking tomato suit.
But they fucking kept the theme of it with that first gif and this scene when he went to Kaneki’s college to talk to him.
And it’s just a fucking riot because he CAN wear nice normal clothing, I’ve seen it. He was even wearing this nice outfit in that same scene in the manga.
He went from a kinda cool looking fashion dude *cough*stranger danger*cough* in the manga to an embarrassing fashion disaster shit stain *cough*sTRAnGER DaNGEr!*cough* in the anime.
It’s like the anime artists all gathered in a circle and were like, “This fucking piece of trash needs a fashion statement as bad as his personality” and I hope that’s exactly what happened because that is the best decision they could have ever made.
I’ve seen a few fashion posts trying to expand the “Marie Antoinette is not Victorian” rant, but this stuff can get complicated, so here is a semi-comprehensive list so everyone knows exactly when all of these eras were.
Please note that this is very basic and that there are sometimes subcategories (especially in the 17th century, Jacobean, Restoration, etc)
And people wonder WHY I complain about History/Art History periodization. Note how much overlap there is to the above “eras”, and how many exceptions and extensions there are to these categories.
Oh, and by the way…
Because you wouldn’t want to be historically inaccurate.
I reblogged this post before but OHHHH extra reference that’s so hard to get anywhere on Google or books
The Turkish company Pugedon has created a vending machine that’s dispensing help for both the environment and our furry friends.
this makes me so happy
So they always put a girl character in movies for someone to fall in love with?
my 7 year old son (astutely calling attention to the lack of female leads in action and adventure films).
While watching Johnny Depp and Penelope Cruz flirt in POTC On Stranger Tides my son asked me “Why is there always romance in every movie?” He had asked the same question last week when we watched Kirsten Dunst and Toby Maguire have their memorable moment in the rain in Spiderman. He’s 7 and not a fan of kissing scenes. I try to explain that many people, especially adults, enjoy romance so it’s a popular thing in movies.
He responds with “So they always put a girl character in for someone to fall in love with?” And I am floored, because I realize the message Hollywood has sent my child is that you only need to include one female character - and it’s not so she can be the hero. If a 7 year old boy can recognize that women in action films are nothing but a plot device it is time for the film industry to admit they have a problem.
YOU GUYS TURN ON THE SUBTITLES
AHH I NEED A MINUTE
OH MY GOD OH MY GOD A GAY GHIBLI MOVIE OH MY GOD
I KNEW THIS WOULD BE GAY THIS IS NOT A FUCKING DRILL THIS IS NOT SUBTEXT THIS IS ACTUAL FUCKING DIRECTLY SAID LESBIAN HOOOOOOOOOOOOOOOOOOOOOOOOOOOOLY SHIT
Open air art installation by Kimchi and Chips produces geometric forms in air with an array of computer controlled mirrors and lights - video embedded below:
Kimchi and Chips create phantoms of light in the air, crossing millions of calibrated beams with their work Light Barrier, 2014. The light installation creates floating graphic objects which animate through space as they do through time.
A fascination with natural light drove the technique of the impressionist painters, they explored new qualities of colour and the trail of time. Kimchi and Chips’ study of digital light discusses a new visual mechanic, their installation adding to the visual language of space and light. As the artist’s inquiry deepens, brush strokes become descriptive like code, detailing reality and allying light with canvas.
You can find out more background about the project at Creative Applications here